Thailand is a Southeast Asian country.
It's known for
- Tropical beaches,
- Opulent royal palaces,
- Ancient ruins & Ornate temples displaying figures of Buddha.
Observe and Watch how THAI people celebrates Loy Krathong - the traditional festival of lights
In Bangkok, the capital, an ultramodern cityscape rises next to quiet canalside communities and the iconic temples of Wat Arun, Wat Pho and the Emerald Buddha Temple (Wat Phra Kaew). Nearby beach resorts include bustling Pattaya and fashionable Hua Hin.
The modernizing reforms begun in the late 19th century under King Chulalongkorn, Thai cultural life revolved around the Siamese royal court and the wat, the Buddhist temple-monastery. Many ancient practices associated with the court and the wat have been transformed into elements of contemporary Thailand’s national heritage. The monarchy, through its participation in royal functions, state ceremonies, and popular festivals, plays an important role in nurturing and preserving this heritage. Many state functions, today often shown on television, begin with the king or other members of the royal family performing Buddhist rites. Certain Buddhist holy days have been recognized as national holidays. Among these are Visakha Puja, the festival celebrating the birth, enlightenment, and death of the Buddha, and the beginning and end of “Buddhist Lent” (phansa)—a three-month period corresponding to the monsoon season, during which both monks and laypeople give added attention to religious practices such as meditation.
The transformation of Thai cultural life is particularly evident in clothing. In the late 19th century, members of the Thai court began to adopt Western-style clothing and for a few years in the late 1930s and early ’40s such clothing was mandatory. In the post-World War II period there was a significant revival of traditional styles of clothing, especially for women. The queen adopted the tie-dye silk tubular skirt traditionally worn by Lao women in the northeast, and she was widely emulated by middle- and upper-class women when they attended events at which national culture was expected to be on display. For everyday attire in both the cities and the villages, however, most people wear clothing of a style that is considered “cosmopolitan” (sakon), but which, in fact, derives from Western styles. For all its Western influences, however, contemporary Thai culture is a creative blend that remains clearly rooted in Thai tradition.
The arts of Thailand
Traditional Thai literature was deeply connected to the literature of both Buddhist and Hindu India. The best-known story of the premodern period—as recounted in sermons by monks and depicted in temple paintings—was that of Prince Wetsandorn (Vessantara). This story is the last and most important of the Jataka tales (i.e., stories about people or animals who were the Buddha in a previous life). Wetsandorn was a prince who was compelled to give away his wife and children to realize the last qualification necessary to be reborn as the Buddha. The gods restored his family to him when he succeeded in proving he had no attachments. Almost as important as this story was that of the Hindu deity Rama as told in the Ramakian, a Thai adaptation of the Hindu epic Ramayana. Rulers since the 15th century have identified themselves with Rama, and the Grand Palace in Bangkok contains extraordinary murals that depict his story.
Alongside the literature derived from Buddhism and India, indigenous literary traditions have always existed in Thailand. Kings were patrons of royal poets, and villages had rich traditions of folklore and legends recited by troubadour-like performers or enacted by local opera troupes. One story with both royal and popular versions is that of Khun Chang and Khun Phaen, two men in competition for the affections of the same woman.
Following the large-scale migration of Chinese to Thailand beginning in the mid-19 century, numerous Chinese assimilated to Thai culture, and a number of well-known works of Chinese traditional literature were translated into Thai. One of the first of these was the Chinese literary work Sanguozhi yanyi (“Romance of the Three Kingdoms”). The story has since been adapted in Thai plays, poems, and stories
In the End, We must say one thing for THAILAND.
Happy place, happy people